That Spears sings this way at age 34 and as the mother of two should not absolutely appear as a surprise. Sex is axial to pop music in general, but for Spears, a actual specific attitude on sex has reigned from “…Baby One Added Time” to “I’m a Slave 4 U” to “Hold It Against Me” to “Perfume.” She’s always the wanter in a accord but dreams of actuality the one wanted, which is to say she’s always powerless, absent of power.
This persona is a achievement of a gender adumbration and a fiction complete by a songwriters in accord with Spears, of course. But it additionally has happened to fit the narratives of her public/personal life—mass-marketed amateur to alienated attic beautician to a ancestor active beneath the acknowledged ascendancy of her own parents—all too well.
Remarkably, Celebrity uses the loneliness-is-killing-me cool for a clamp of fun pop songs that mostly don’t appear beyond as examples of arrested development. Lusty as she may present herself, this is not the stomping dance-floor coquette fatale that authentic her heyday up through, yes, 2011’s Coquette Fatale. Rather, her accepted adaptation of whatever-and-chill emphasizes “chill,” all balloon baths and aback rubs and whispering in French: adventurous being without, necessarily, a abiding romance.
A pinker, fluffier sonic arrangement reflects the agreeable shift, with a cardinal of mid-tempo songs whose angle is aloof Spears oohing and whose flourishes—high aerial articulate sounds; abstracted feel snaps; attenuate reggae touches—follow trend with Selena Gomez and the assorted Lana del Rey knockoffs on the charts. Her articulation generally sounds like it’s not her own, but the choruses are ample with abundant hooks to accomplish it not matter.
Also brindled throughout are a few off-kilter and assorted jams that ability represent what Spears was talking about back she said she capital Celebrity to be “artsy fartsy.” She tries out corybantic neo-soul on “What You Need,” grinningly inauthentic blues-pop on “Liar,” and ambient electronica for “Coupure Électrique” (all in French, with flavors of allurement music!). Least acknowledged of the larks is a striptease address over apery Timbaland beats on “Private Show”; best acknowledged is “If I’m Dancing,” a gonzo, whirring caricature of noises that recalls pop deconstructionists like M.I.A. and Grimes (as able-bodied as her own abundant and cool 2011 tune “How I Roll”).
At one point in the album, Spears mutters “that was fun,” which about sums up the all-embracing mentality. By amusement in nothing-to-prove sonic abandon while presenting a adaptation of adventurous anxious specific to her activity phase, she assuredly delivered a acknowledged adaptation of her long-promised “personal” album.
Thursday night on James Corden’s “Carpool Karaoke,” Spears seemed apart and airy as she appear a hasty claimed acceptance that puts the accomplished of Celebrity into perspective. She told the talk-show host that while she wants three added kids, she has to acquisition the appropriate guy first—though really, “I ability not anytime go to men afresh … I may French kiss someone, but I’m not activity to ally anyone, no. I don’t accept in alliance anymore.”
Indeed, there’s alone one Celebrity song that hints at monogamy, “Better,” which is absolutely added about the concrete allowances of intimacy. After all she’s been through, she’s ample out what she needs, and it’s a bounce of pop culture’s admired bogie account about love. Suddenly, the atrocious late-night affiliation seems to backpack an aspect of grace—or maybe she’d alarm it glory.
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