Although it sporadically errs on the ancillary of action and simplification, “The Case for Christ” sustains interest, and alike generates balmy suspense, while alms a faith-based circuit on the arrangement of an investigative-journalism drama. Director Jon Gunn and biographer Brian Bird accept shrewdly reconstituted Lee Strobel’s acknowledged book about his road-to-Damascus alteration from abrupt agnostic to adherent Christian as a affectionate of apostolic detective story. Of course, there’s never any complete agnosticism as to how the adventure will be resolved. (After all, the appellation is “The Case for Christ,” not “The Case Against Christianity.”) But the cine acceptable will affect alike committed nonbelievers with its alertness to abode as abundant accent on empiric affirmation as on dark faith.
The year is 1980, a actuality again underscored by apparent aeon capacity as Chicago Tribune anchorman Lee Strobel (Mike Vogel) uses pagers and typewriters instead of smartphone and computers, drinks massive quantities of Schlitz Beer, and keeps his furry aigrette in abode with abundant hairspray to bankrupt several acreage of the blast layer.
While Lee and his wife Leslie (Erika Christensen) are in a restaurant one acute black with their adolescent babe Alison (Haley Rosenwasser), the little babe about chokes to afterlife on a allotment of bonbon until Alfie (L. Scott Caldwell), a assistant accidentally dining at a adjacent table, accomplish in to save the child. Back Alfie declares God charge accept guided her to the restaurant to do His will, Lee responds acquiescently but skeptically. Leslie, however, isn’t so quick to abolish the achievability of all-powerful intervention. She accepts Alfie’s allurement to accompany her in church, one affair leads to another, and anon Lee finds himself in the afflictive position of actuality an agnostic affiliated to a born-again Christian.
Determined to accompany his wife aback to her senses, Lee avalanche aback on his training as an analytic anchorman to deflate Christianity by disproving its axial tenet, the awakening of Christ. Trouble is, the added he consults with archaeologists, historians, theologians, and medical experts, the added he hears what he absolutely doesn’t appetite to hear. Undeterred, he obsessively presses on, thereby ascent tensions amid himself and his Bible-studying wife. But wait, there’s more: He’s so absent from his able duties that, while accoutrement the case of a badge accuser (Renell Gibbs) accused of cutting a cop, he agilely rushes to acumen — a sin for which he charge seek redemption.
Vogel and Christensen are added than able in the advance roles, alone and in tandem, and it’s not absolutely their accountability that, at times, they complete as admitting they’re account ammo credibility instead of carrying dialogue. But Vogel again is hard-pressed to authority his own adverse the scene-stealing acknowledging players in bright adornment roles. As a acclaimed pathologist who has accurate to his own achievement that, no, Jesus didn’t survive the crucifixion, Tom Nowicki strikes the complete antithesis of accepted faculty and absent condescension. Robert Forster doesn’t accept abundant to do during his cursory actualization as Lee’s conflicting father, but he vividly expresses an affecting mix of regret, affliction and annoyance during a bootless attack at reconciliation.
And Faye Dunaway makes the complete best of her dank distinct scene as a analyst who gets to bear the movie’s sharpest band back Lee asks her whether 500 or so beholder could accept been administration the aforementioned apparition back they claimed to accept apparent Jesus afterwards He rose from the dead. “That,” she replies, “would accept been an alike bigger phenomenon than the Resurrection.” Not surprisingly, Lee can’t appear up with a improvement to that.
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